Light and Cameraless Action: Community Photoworks 2015
(excerpt from Getty Blog. Click here for full text and images)
High school students explore analog photography with artist Christine Nguyen and create their own cyanotypes, which go on view May 25–31
This spring 25 high school students from Ánimo Venice Charter were invited to explore analog photography, write artist statements, and exhibit their work to the public as part of the Community Photoworks program, organized by the Education Department of the Getty Museum.
This marks the tenth year in a row that the Museum has partnered with the nonprofit arts and writing center 826LA (http://826la.org/), as well as a practicing artist, to introduce students to photography and involve them in the process of art-making and display.
Hands-On Experiments
On April 16, curators Virginia Heckert and Mazie Harris gave the students tours of the photographs exhibition Light, Paper, Process: Reinventing Photography, emphasizing the sense of experimentation and the unique practices of the seven contemporary photographers whose work is featured in the show.
Then, with artist Christine Nguyen (shown below) as mentor, Ánimo Venice students embarked on their own exploration of an alternative photographic process, the cyanotype. (For an introduction to the medium, see this PDF chapter from the Getty Conservation Institute’s Atlas of Photographic Processes.)
To create their cyanotypes, participants first drew on a transparent sheet of acetate with an opaque wax marker that would block the light.
Then they placed objects on top of the acetate and slipped a sensitized sheet of photographic paper underneath. Christine asked the students to consider the outline, shadow, and sense of depth the objects would make.
The next step was to expose the piece to the UV rays of the sun for five minutes.
In the final step, the work was rinsed in water, which functions as both developer and fixer, for about one minute. The completed works were then set out to dry.
Through this process, students transformed ordinary objects, such as shells, leaves, stems, clippings from succulents, swatches of lace, jewelry, and keys into amazing abstract compositions. The stark contrast between the white silhouettes of the objects and the intense cyan background created a dazzling effect.